Exploring cultures and communities – the slow way

It is forty years since Pete Seeger took to stages in Moscow, the Crimea and Prague as part of a world tour. Seeger died earlier this year of course, and in this postscript to his life we look at how Seeger's music was very similar to that of the guitar poets in eastern Europe in the post-Stalin period.

article summary —

The last issue of hidden europe was nearing completion when we heard the sad news from the United States that singersongwriter Pete Seeger had died. In the following days and weeks we read a stream of tributes to Seeger, coming from both sides of the Atlantic. Many from the US focused on Seeger’s seminal contribution to the American folk music tradition, saying no more than was necessary about the singer’s political activism. More left-leaning media, particularly in Europe, highlighted Seeger’s position within a wider proletarian music tradition that found expression in many countries on both sides of the Iron Curtain.

Cast back half a century, and Seeger had just reached home after a remarkable world tour which had taken him and his wife Toshi to two dozen countries over a spell of nine months. The couple returned to New York in June 1964. The latter part of the tour had seen Seeger performing to packed venues in Russia, Czechoslovakia and Poland.

The reception accorded to Pete Seeger in Prague was particularly strong. The liberal winds of Khrushchev’s Thaw, already felt for some years in the Soviet Union, had barely touched Czechoslovakia which in the first half of 1964 was only just beginning to explore new economic, political and cultural opportunities. That process was of course abruptly terminated by the Warsaw Pact invasion of Czechoslovakia in 1968 — an event which decisively marked the end of the Thaw across the whole of Eastern Europe.


This is just an excerpt. The full text of this article is not yet available to members with online access to hidden europe. Of course you can also read the full article in the print edition of hidden europe 43.

About the authors

hidden europe

and Susanne Kries manage hidden europe, a Berlin-based editorial bureau that supplies text and images to media across Europe. Together they edit hidden europe magazine. Nicky and Susanne are dedicated slow travellers. They delight in discovering the exotic in the everyday.

This article was published in hidden europe 43.